BALI – Time Lapse

Please visit www.danielkellybrown.com to see more of my work.

Available for licensing in 4k resolution, this is a short time lapse film featuring the beauty of Bali. It was shot on the 5d Mark III & II with Zess 25mm, Canon 16-35 and Canon 70-300mm over the course of three weeks. Gopro for the underwater shots. Many thanks to my lovely and wonderful wife for helping me schlep gear and setup shots, on our honemoon! Hope you all enjoy our work! 5 days we spent in Uluwatu, 2 days were up in Danu Bratan area, 5 days in Mt Agung area, 4 days on the Gill Islands (tech not bali..), 3 days Ubud, 3 days Balian, 1 day Seminyak.

Song By: The Human Experience
Name: Lion Heart
Buy Song: http://gratifly.bandcamp.com/album/gratifly-heart-collection-volume-1

Special Thanks to:
Emotimo: http://emotimo.com
Dynamic perception: http://www.dynamicperception.com
GBS: http://www.granitebaysoftware.com/
Really Right Stuff: http://reallyrightstuff.com
LRTimelapse: http://lrtimelapse.com/

City Lights To Dark Skies

'City Lights To Dark Skies' is my contribution to this years International Dark Sky Week, which runs from the 20 – 26 April 2014. I spend a lot of time photographing the night sky and have seen many of the negative effects that light pollution can have. So I thought one of the best ways to educate people about light pollution would be to show them the difference between a light polluted city sky and a dark sky with little or no light pollution. I used time-lapse photography to demonstrate this, and spent many hours in different lighting conditions capturing the footage.

The footage was shot around the Wellington and Wairarapa region on the North Island of New Zealand. We are very lucky here, as the light pollution around Wellington itself is no where near as bad as it is in larger cities such as New York, London or Sydney. Wellington is surrounded by hills, so a lot of the light pollution is contained within, and you can travel just 20 minutes out of the city center to find skies dark enough to view the Milky Way with the naked eye. I also traveled to locations with varying degrees of dark skies. From locations with moderate light pollution to the darkest of skies miles from anywhere in the Wairarapa – it was an interesting exercise to see what is visible in the night sky as you go from place to place.

During my time as an astrophotographer, I have spoken to many people from around the world who have been interested in my photographs and videos. I was truly shocked when some of them said to me that they have never seen the Milky Way with their own eyes before. I did some further research into this and found that more than one fifth of the world population, two thirds of the US population and one half of the European Union population have already lost naked eye visibility of the Milky Way! This is a real shame, and the knock on effects of light pollution can be a lot more serious than just not being able to see the stars at night.

Finally, I urge you to go check out the International Dark Sky Association. You can access their website at http://www.darksky.org and also the International Dark Sky Week webpage at http://www.darksky.org/resources/109-international-dark-sky-week Here they have a lot of information on the effects of light pollution, and what can be done in your community to combat it. And during International Dark Sky Week, do yourself a favor and head out of the cities for some star gazing. It can be a truly humbling experience, especially if you haven't done it before. It's certainly a release for me from every day life…after all, life without dark skies – you don't know what you are missing…

http://theartofnight.com/2014/04/city-lights-to-dark-skies-international-dark-sky-week-2014/

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The music, Nocturne 1985, by Rhian Sheehan was used with permission. You can check out Rhian's latest album, "Stories from Elsewhere" and more of his amazing music here: http://rhiansheehan.com

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Art of Night

The Art of Night is a short film of highlights from my astrophotography journey. It contains imagery from when I first seriously started photographing the night sky until recently when I won the 2013 Astronomy Photographer of the Year.

Images, time-lapse and video were shot over a period of three years around the Wellington region on the North Island of New Zealand. This region is blessed with relatively low light pollution and has some of the darkest skies in New Zealand once you head out to the remote areas of the Wairarapa.

Special thanks must go to Carter Observatory, who have been a big supporter of my astrophotography, and a wealth of knowledge for my learning journey of the night sky: http://www.carterobservatory.org

The time-lapses you see in this film are powered by the Syrp Genie: http://syrp.co.nz

A big thanks also to the guys from PhotoPills who provided me with their app which helped me plan a lot of the shots that you see in this film: http://www.photopills.com

This entire film was shot on Canon camera and lenses: http://www.canon.co.nz

The Music – Dark Horizons by Richard Canavan was licensed for the film: http://www.premiumbeat.com/royalty_free_music/songs/dark-horizons

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http://facebook.com/markgphoto
http://markg.com.au/2013/09/the-art-of-night-the-photography-of-mark-gee/
http://500px.com/markg/stories/1440200/my-astrophotography-journey-from-novice-to-astronomy-photographer-of-the-year-2013

The Arctic Light

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This was filmed between 29th April and 10th May 2011 in the Arctic, on
the archipelago Lofoten in Norway.

My favorite natural phenomenon is one I do not even know the name of, even after talking to meteorologists and astrophysicists I am none the wiser.What I am talking about I have decided to call The Arctic Light and it is a natural phenomenon occurring 2-4 weeks before you can see the Midnight Sun.

The Sunset and Sunrise are connected in one magnificent show of color and light lasting from 8 to 12 hours. The sun is barely going below the horizon before coming up again. This is the most colorful light that I know, and the main reason I have been going up there for the last 4 years, at the exact
same time of year, to photograph. Based on previous experience, I knew this was going to be a very
difficult trip. Having lost a couple of cameras and some other equipment up there before, it was crucial to bring an extra set of everything. I also
made sure I had plenty of time in case something went wrong.
If you can imagine roping down mountain cliffs, or jumping around on slippery rocks covered in seaweed with 2 tripods, a rail, a controller,
camera, lenses, filters and rigging for 4-5 hour long sequences at a time, and then
having to calculate the rise and fall of the tides in order to capture the essence – it all proved bit of a challenge.

And almost as if planned, the trip would turn out to become very
difficult indeed. I had numerous setbacks including: airline lost my
luggage, struggling to swim ashore after falling into the Arctic sea: twice, breaking lenses, filters, tripod, computer, losing the whole dolly rig and controller into the sea, and even falling off a rather tall rock and ending
up in the hospital. As much as I wanted to give up, the best way Out is
always “Through”. I am glad I stuck it through though because there were some amazing sunrises waiting. At 1:06 you see a single scene from day to night to day which is from 9pm to 7am. Think about that for a minute.. 10 hours with light like that.

I asked the very talented Marika Takeuchi to specifically compose and
perform a song for this movie, and what she came up with is absolutely remarkable. Thank you very much Marika!

Available in Digital Cinema 4k

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Music: "The Arctic Light" by Marika Takeuchi
http://on.fb.me/kOezbO
Buy it on iTunes
http://itunes.apple.com/us/album/the-arctic-light/id445751308?i=445751313

http://www.huffingtonpost.com/2011/06/01/arctic-light-time-lapse-video_n_869054.html

The Mountain

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This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.

The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.

A large sandstorm hit the Sahara Desert on the 9th April (http://bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.

Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.

Available in Digital Cinema 4k.

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Music by my friend: Ludovico Einaudi – "Nuvole bianche" with permission.
Please support the artist here:
http://itunes.apple.com/us/album/una-mattina/id217799399

The Aurora

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I spent a week capturing one of the biggest aurora borealis shows in recent years.

Shot in and around Kirkenes and Pas National Park bordering Russia, at 70 degree north and 30 degrees east. Temperatures around -25 Celsius. Good fun.

Available in Digital Cinema 4k.

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Your Mark & Castles in the Air

In 1995, Hayao Miyazaki had writer’s block while working onĀ Princess Mononoke. So he took a break to direct this music video for Chage and Aska’s song “On Your Mark.” And while it may have been a short film, Miyazaki didn’t skimp on the visuals.

“On Your Mark” let Miyazaki play with his storytelling through repetition and alternate endings for her trio of protagonists. It’s not hard to imagine it fleshed out into a feature-length, time-looping film, but it’s perfectly lovely as this self-contained nugget of brilliance.